HOME | ARTISTS | TOURS | ATLANTIC TV | MY RADIO | VINTAGE | MOBILE | STORE

Welcome to AtlanticRecords.com.

Metallica

Get the latest Metallica news, tour dates, photos, music and videos for Metallica here!

Cliff 'Em All

Cliff 'Em All

Cunning Stunts

Cunning Stunts

A Year And A Half In The Life Of Metallica, Part 01 & 02

AYear and a Half in the Life of Metallica Part 1 & 2 A Year and a Half in the Life of Metallica-Part 2 Sad But True The Unforgiven Enter Sandman Wherever I May Roam A Year and a Half in the Life of Metallica-Part 1 Nothing Else Matters

St. Anger

My World The Unnamed Feeling Purity All Within My Hands St. Anger Sweet Amber Frantic Shoot Me Again Some Kind Of Machine Invisible Kid Dirty Window

St. Anger

Shoot Me Again Sweet Amber My World Frantic Dirty Window Purity Some Kind Of Monster All Within My Hnads St. Anger Invisible Kid The Unnamed Feeling

St. Anger

Shoot Me Again St. Anger All Within My Hands Frantic The Unnamed Feeling Purity Dirty Window My World Some Kind Of Monster Invisible Kid Sweet Amber

Live Shit: Binge & Purge DVD

Fade To Black Master Of Puppets The Four Horsemen Wherever I May Roam Stone Cold Crazy The Four Horsemen Welcome Home Am I Evil? Sad But True For Whom The Bell Tolls Justice Medley Fade To Black Seek & Destroy Battery Whiplash Solos - Bass/Guitar One One Battery Enter Sandman The Unforgiven Solos - Bass/Guitar Nothing Else Matters Motorbreath Nothing Else Matters For Whom The Bell Tolls Of Wolf And Men Through The Never Master Of Puppets Wherever I May Roam The Unforgiven Last Caress Whiplash Through The Never Of Wolf And Man Creeping Death Enter Sandman Harvester Of Sorrow Justice Medley Stone Cold Crazy Last Caress Creeping Death Harvester Of Sorrow Seek & Destroy Am I Evil? Sad But True Motorbreath Welcome Home

Live Shit: Binge & Purge DVD - CD style case

Harvester Of Sorrow Fade To Black Nothing Else Matters Of Wolf And Man Am I Evil? Justice Medley Sad But True Master Of Puppets Of Wolf And Men Stone Cold Crazy One One Solos - Bass/Guitar Motorbreath The Unforgiven The Four Horsemen Enter Sandman For Whom The Bell Tolls Battery Whiplash The Unforgiven Stone Cold Crazy Harvester Of Sorrow Battery Master Of Puppets Seek & Destroy Last Caress Creeping Death Enter Sandman Through The Never Whiplash Justice Medley Wherever I May Roam Motorbreath Last Caress Through The Never Fade To Black Am I Evil? Nothing Else Matters Creeping Death Seek & Destroy Wherever I May Roam For Whom The Bell Tolls Solos - Bass/Guitar Welcome Home Sad But True The Four Horsemen Welcome Home

S&M

S & M

S&M

The Memory Remains Sad But True Master Of Puppets The Ecstasy Of Gold Human Until It Sleeps Bleeding Me The Thing That Should Not Be Nothing Else Matters One The Call Of Ktulu No Leaf Clover Battery Outlaw Torn Of Wolf And Man For Whom The Bell Tolls Devil's Dance Wherever I May Roam Hero Of The Day Enter Sandman Fuel

S&M

Of Wolf And Man Nothing Else Matters Enter Sandman Sad But True Master Of Puppets Hero Of The Day For Whom The Bell Tolls Bleeding Me The Memory Remains One Devil's Dance Battery Human The Call Of Ktulu No Leaf Clover Until It Sleeps Wherever I May Roam The Thing That Should Not Be Outlaw Torn The Ecstasy Of Gold Fuel

Cliff 'Em All

Cliff 'Em All

A Year And A Half In The Life Of Metallica, Part 01 & 02

A Year and a Half in the Life of Metallica-Part 2 AYear and a Half in the Life of Metallica Part 1 & 2 Nothing Else Matters A Year and a Half in the Life of Metallica-Part 1 Sad But True Enter Sandman The Unforgiven Wherever I May Roam

Cunning Stunts

Cunning Stunts

Garage, Inc.

Blitzkrieg Helpless Die, Die My Darling Last Caress/Green Hell Killing Time Loverman It's Electric The More I See Stone Dead Forever Crash Course In Brain Surgery The Prince Mercyful Faith The Small Hours Whiskey In The Jar Overkill Stone Cold Crazy So What Breadfan Turn The Page Too Late Too Late Astronomy The Wait Am I Evil? Damage Case Tuesday's Gone Free Speech For The Dumb Sabbra Cadabra

Garage, Inc.

Crash Course In Brain Surgery Am I Evil? Stone Cold Crazy Stone Dead Forever Sabbra Cadabra Blitzkrieg Tuesday's Gone So What Helpless Killing Time Die, Die My Darling Whiskey In The Jar Damage Case The Small Hours The Wait Turn The Page The More I See Loverman Too Late Too Late Astronomy The Prince Free Speech For The Dumb Overkill Breadfan Last Caress/Green Hell Mercyful Faith It's Electric

The Unforgiven II/The Thing That Should Not Be

The Thing That Should Not Be The Unforgiven II

Reload

Devil's Dance Attitude Where The Wild Things Are The Memory Remains Low Man's Lyric Slither Fixxxer Bad Seed Fuel Better Than You The Unforgiven II Carpe Diem Baby Prince Charming

The Memory Remains/For Whom The Bell Tolls

For Whom The Bell Tolls The Memory Remains

King Nothing/Ain't My Bitch

Ain't My Bitch King Nothing

Hero Of The Day (Live Medley)

Kill Ride Medley Hero Of The Day

Load

Ain't My Bitch Until It Sleeps Wasting My Hate The Outlaw Torn Poor Twisted Me Bleeding Me King Nothing Mama Said Thorn Within 2 X 4 Cure The House Jack Built Ronnie

Live Shit: Binge & Purge

Wherever I May Roam Last Caress Solos - Bass/Guitar Seek & Destroy Of Wolf And Man Enter Sandman Motorbreath Nothing Else Matters The Unforgiven Stone Cold Crazy Sad But True Whiplash Welcome Home (Sanitarium) The Four Horsemen For Whom The Bell Tolls Justice Medley Battery Harvester Of Sorrow One Fade To Black Master Of Puppets Through The Never Am I Evil? Creeping Death

One/Eye Of The Beholder

One Eye Of The Beholder

Metallica

The God That Failed Don't Tread On Me Holier Than Thou Sad But True Through The Never Enter Sandman My Friend Of Misery The Unforgiven Of Wolf And Man The Struggle Within Wherever I May Roam Nothing Else Matters

...And Justice For All

...And Justice For All Eye Of The Beholder The Frayed Ends Of Sanity Harvester Of Sorrow One Dyers Eve To Live Is To Live Blackened The Shortest Straw

Master Of Puppets

Disposable Heroes Orion Welcome Home Master Of Puppets Battery The Thing That Should Not Be Damage, Inc. Leper Messiah

Ride The Lightning

Fight Fire With Fire Escape Ride The Lightning Fade To Black Trapped Under Ice Creeping Death For Whom The Bell Tolls The Call Of Ktulu

Kill 'Em All

Metal Militia Phantom Lord Hit The Lights (Anesthesia)-Pulling Teeth The Four Horsemen Motorbreath Whiplash No Remorse Jump In The Fire Seek & Destroy

Check out Metallica's official web site.

Metallica Biography

When you're able to brandish the kind of musical firepower that Metallica has unleashed for more than two decades - 10 uncompromising albums, marking an unprecedented reign as the Greatest hard rock band in history - you learn a thing or two about where to aim. But curiously enough, the making of their first studio album since 1997's Re-Load, the primal, raptorial, St. Anger, found Metallica not behind the turrets this time, but in the firing line itself.

The trials and tribulations leading up to St. Anger are well documented. The fissures in what the band members themselves describe as the well-oiled "Metallica machine" were beginning to show; Bassist Jason Newsted's nebulous exit from the group. James Hetfield's voluntary sojourn into rehab and much-longed-for sobriety. Public squabbles over the illegal downloading quagmire. All of these issues revealed the kind of seismic fault-lines that even the Metallica jauggernaut could not navigate - could not negotiate away.

At stake? Nothing less than the very existence of the band itself. Metallica's three principals, James Hetfield, Lars Ulrich, and Kirk Hammett, along with their frequent producer/collaborator Bob Rock, found themselves at the kind of crossroads worthy of the themes in many a Metallica song. The kind of foreboding scenario Ulrich and Hetfield could write in their sleep.

The irony was, if this was Metallica's oft-predicted meltdown, each member would have to face it in his own way. And from the inside out this time, without the Metallica

heat-shield to fend off all the bullshit that tends to calcify when you're a member of the most exclusive rock club in the world for twenty-odd years. With James on an indefinite hiatus, the group admitted to becoming ‘professional speculators' themselves as to whether Metallica was headed for a rebirth, or withering away on life-support.

"It has been a very interesting three years," Lars Ulrich begins with atypical understatement. "A very different three years for us. Difficult. Awkward. It's been a ride that's taken us to places inside ourselves, inside the band, inside the potential of human beings and the music and everything else that we could not imagine existed. But if you asked me then, I would say for the first time in my life with Metallica, I was starting to prepare myself that maybe the ride was over."

If it sounds like the tenets of a Herculean struggle, who else but Metallica to apply for the job. The result of the ‘ride' Lars refers to can indeed be found in the sweat and blood and grooves of St. Anger. From the album's crushing title song and its burnished heaps of magnified guitar and drums, to the colossal time and tempo changes of "Frantic," to the chugging slabs and staccato exchanges of the exalting confessional "My World," Metallica has once again, in the boldest strokes imaginable, made music its most viable currency.

The three bandmembers, who gingerly refer to themselves as brothers - and mean it - emerged from the other side of their journey with their musical compass intact. St. Anger is an album that invariably will draw comparisons to their best work, to Metallica's halcyon days, most notably their classic 1983 opus Kill ‘Em All, and 1986's Master Of Puppets. Monumental in scope, the new album also recalls - by its sheer willfulness - the group's 15 million selling masterpiece known as the Black Album. But this is clearly a work that couldn't have been made twenty years ago. Not even a decade ago, though it fits the Metallica canon like a glove.

According to producer Rock (the Black album was his first collaboration with Metallica) St. Anger completes the circular creative cycle that only the greatest artists are able to sustain. "It's been my experience that only the big artists know how to achieve a goal in their career, like Metallica did with the Black album. Fewer still could have gone through what they experienced with all their personal journeys, throw away the rulebook and try and capture the soul and truth of Metallica again. I think the real vision was to almost take them back to where they were first getting together when three or four guys get together and say: ‘this is the kind of music we like, let's write some songs.'"

For James, whose own personal quest may have been the tipping point for Metallica's

inspirational sea change, the album was an important step in their evolution not just as bandmembers, but also as friends. "The early days of Metallica were about brotherhood, just survival mode, relying on each other and stuff. As the machine got bigger, you tend to forget about the friendship part and start worrying about where the machine is going. You get a little more protective, a little more isolated. Certain factors ignited the need to look inward again and just get to be friends. Now we're stronger than ever because we know what we're doing and we have experience on our side too."

Part of the familial equation the group had to deal with was the departure of Newsted and the search for a new bassist. Enter Rob Trujillo. A former member of Suicidal Tendencies and one of the masterminds behind the ‘90's cult band Infectious Grooves, the accomplished bassist has also played with none other than Ozzy Osbourne.

All three bandmembers immediately hit it off with the respected Trujillo, and the hole in Metallica's musical armor was filled. Trujillo came aboard too late to appear on St. Anger. The band members did not seem to be in any rush to hire a bass player. Bob Rock, in addition to being the co-producer and co-songwriter on St. Anger, was considered the 4th member of the band. Bob even filled in (quite masterfully) at a few live events with the guys. But, as Metallica guitarist Kirk Hammett says, Trujillo's chemistry with the band is undeniable. "From the first rehearsal Rob was just mind blowing, because he had such a huge sound and he pulled with his fingers which is very reminiscent of Cliff Burton and we really liked that sound. He delivered on all fronts. He had a big sound and on top of that he's really a great, solid guy." Adds James: "He pounds. The power that comes through his fingers. He's a ball of energy and he's so calm and able and balanced. He's got great stuff to offer but his personality is just right. He's on fire, he's ready, he's plugged right into the strength of Metallica and helping it shine."

Another aspect of Metallica's rejuvenated approach on this album was for Hammett to join in on the lyric writing, territory previously exclusive to only James and Lars. "At first I was like I don't want anything to do with this, this is James' job. But Bob was very adamant. I looked at James and I said ‘Well, how do I do this?' James said ‘stream of consciousness.' I would scribble down some lines and James would single out the good ones. It was a great experience and I think it's all in line with the theme of the album, if there is an underlying theme, which is just being true to yourself and how important that is to the overall picture."

Which leads to what is sure to be another topic of discussion among Metallica-watchers when pouring over the epic arrangements and knife-edged nuances of St. Anger. For a band that is in the throes of introspection, and in a larger sense, collective healing, they sure have laid down some motherfucking aggressive music. For hardcore fans who patiently waded through their all-covers release, 1998‘s Garage Inc., a spry homage to the songs that shaped their early career, and the symphonic wanderlust of S&M, a stirring experiment that showcased Metallica with noted producer/writer/arranger Michael Kamen and the San Francisco Symphony, St. Anger is a thirst-quencher. But one that offers nothing but fire this time around.

Lars says there was no conscious effort to make this album louder or longer. "I think the great thing about Metallica is that we can pretty much chart where we want to chart. Playing other people's material (like on Garage Inc.) was something we talked about for years. It was the music the band was basically founded on. With the Symphony stuff we got a call from Michael Kamen who wanted to do it and the band was excited by the challenge - something Metallica has always embraced. "But now that we are back playing the stuff that people think is the purest, it is the most natural, it is the most effortless. The other thing I think we're challenging here is that most people have the perception that in order for things to be really, really, energetic that they can only come from negative energy. Metallica was fueled by negative energy for twenty years. Now we've spent a lot of times working on ourselves and on our relationships and we've turned that around. Now Metallica is fueled by positive energy that has manifested itself so it sounds like the album we've made."

 

 

Case in point: "Some Kind Of Monster," with its bristling, time-bomb refrain, and yet, underneath, a hint of affirmation: ‘this is the voice of silence no more.' You begin to understand the complex dynamics required for a world-renowned construct like Metallica to be even able to conceive of an intensely personal triumph like St. Anger. For James, the process obviously begins in a much quieter place than a recording studio. "It comes from us realizing the world doesn't revolve around Metallica. For me it began with ‘my name is James Hetfield.' St. Anger means to me that now that we've found our serenity we're capable of making this monster of an album going full-throttle all the time. Anger is an energy. It's a feeling. It's gotten a bad reputation but it's what you do with it after that gives it its reputation. I could squeeze out sideways with rage and stuff the shit down, yet it can be such a source of strength. Metallica has always been about invading places where we don't belong. We just took down the barbed-wire, that's all."

 

4/03

If you still see this message after the page has loaded, you may need to upgrade your Flash Player. This site uses the Flash plugin to display videos and navigation. You can still view this site without the Flash plugin, but it just won't be the same.
If you'd like to experience the full version of this site, you can download it here.

You do need to turn on Javascript to enjoy this site properly though.